The holidays are a big deal in my house. Lots of family and gifts. This year we were unusually social and were delighted to have been invited to multiple holiday gatherings. I hosted a long involved Christmas dinner for 14 people. Almost all of whom I'm related to, resulting in the usual snarky loving encounters you would expect.
It was exhausting.
I went almost two weeks without seeing the barn, mostly due to the fact that my kids were out of school as of the third week of December and they are Not Horsey. It was pissing rain most of the time. By the time the weather got Beautiful for December (high 40's and into the 50's) I was full time Momming and Christmassing and my husband was still working. Getting to the barn was not happening.
I went a little bit nuts.
Between the lack of exercise (all kids all the time means no yoga either) and the extra sugar I began to resemble a smudged doughy version of my former self. My general positive attitude was filtered through a lens of general despair and groggy fatigue. I've been here before. It's what Winston Churchill described as his "Black Dog."
Friday night after a Boxing Day visit to the town of Barn Stable (that's what the Google maps calls Barnstable on the Cape) to see my in laws, I announced to my sleeping husband that I was going to see Cassel the next morning. He grouched about it, not because he didn't want me to go, but because he was sleeping. I could have announced that I was going to the Pizza, Craft Beer and Football factory to bring home Mike Vrable and Teddy Bruschi to watch the Superbowl with us an it would probably have been met with some skepticism in his unconscious state. (Note: current Patriots excluded from my little fantasy for obvious reasons. Enough Football. Shut up Margaret, this is a horse blog, that's your OTHER hobby).
So around ten on Saturday morning I jumped in my car and actually made it to the barn where I found cookies and cards that had been left for me by my barn mates. My horse was shockingly clean. I just putzed around the barn for a good half hour and watched him and his pasture mate eat from the same hay bag before I moseyed into the paddock to get him. He strolled up to me breathing his sweet breath into my lungs and I slipped the halter over his ears. His pasture mate, Plosh, who is suddenly easy going in the pasture thanks to some ulcer meds and having Cassel to himself gently stepped out of the way of the gate and we clip clopped to the cross tie, Cassel, leaving a thick trail of manure all the way across the driveway in case we got lost on the way back.
Other than his feet that I hosed there was not a speck of mud anywhere on that horse. Weird. I groomed and scritched him in all his favorite places, popped on his dressage saddle and headed towards the arena and hopped on and all the holiday stress and emotion just fell off me in big sheets. Cassel made these great relaxing snorts, the sound horses make when they are blowing off tension. I dropped the reins and let him amble around the arena at the walk releasing his tension while I took deep breaths, circling my arms backwards to open my shoulders.
One of my favorite things about this horse is that you can give him two weeks off, and hop back on and he just goes right back to work. My last two horses needed to be ridden EVERY day or they would be NUTS. In retrospect, a lot of that has to do with their turnout situation. They didn't get nearly enough of it. Most of the time, they lived in a stall. Cassel lives outside, so I know if I can't get there for a couple of weeks he's never stuck in a box. He's always out moving, walking around with things to stimulate him and look at. He plays with his pasture mate when he feels like it. And when I get back on him after a long hiatus, other than him blowing through a couple of half halts because it takes us a couple of days to get completely back on the same page. He's never spooky or nutty. I can just drop my reins and think about my body alignment for a few minutes before going to work while we both breathe out our tension.
Because "The Most Wondeful Time of the Year" takes a lot of work and stress to create. But with a few minutes on the back of a good horse equilibrium is restored. This is my Bliss.
Sunday, December 28, 2014
Thursday, December 11, 2014
I am not a poet
I think I took one poetry course in college. I love reading poetry, but I hate discussing it in any intellectual capacity. It completely ruins it for me. You read this poem that give you this instant visceral reaction. It's like you just had great sex, or ate the worlds best brownie and somebody wants you to write a paper about it with words like "didactic" and "epistimology" and "antidisestablishmentarianism" and you just want to sit and swoon and enjoy your brownie, or your partner.
There are a couple of horse poems out there that leave me in a state of wonder. The first is Credo by Maxine Kumin. Twenty Something years ago, she came to Sarah Lawrence College to read on a Thursday night. How do I know it was a Thursday night? Because I showed up in my riding clothes, because Thursday was the night I had my weekly lesson at the dreary Twin Lakes barn in Bronxville. There was no time to change. I parked my 1978 Datsun and went running for the auditorium. Of course all the sneaky seats in the back were taken so I had to sit in the front row in my stinky clothes. I didn't know much about Maxine Kumin. In fact, I'm not sure what even brought me to that room that night. Poetry wasn't really my thing. Somebody I respected must have told me to get my ass into that auditorium because I doubt "poetry reading" would have been high on my self proscribed to do list. So there I was in my ill fitting boots and cheap breeches in the front row losing myself in a world of the New Hampshire wilderness feeling vaguely homesick for Western Mass when she read this:
Then she said she'd spare us any more horse poems and I shouted "NO!" and she looked me up and down with a conspiratorial appraisal and said "I see we have someone in the front row ready to ride!"
Maxine Kumin passed away earlier this year. I keep a few books of her poetry around the house. But this one (without too much analysis) shows my heart to the world. It's as if she reached into my soul and said, I'm going to explain how you feel about horses (and nature) in a REALLY beautiful concise way, that's going to make you cry? 'K bye! And by the way, you could never hope to articulate anything like this EVER.
And she did. And it is beautiful.
There are a couple of horse poems out there that leave me in a state of wonder. The first is Credo by Maxine Kumin. Twenty Something years ago, she came to Sarah Lawrence College to read on a Thursday night. How do I know it was a Thursday night? Because I showed up in my riding clothes, because Thursday was the night I had my weekly lesson at the dreary Twin Lakes barn in Bronxville. There was no time to change. I parked my 1978 Datsun and went running for the auditorium. Of course all the sneaky seats in the back were taken so I had to sit in the front row in my stinky clothes. I didn't know much about Maxine Kumin. In fact, I'm not sure what even brought me to that room that night. Poetry wasn't really my thing. Somebody I respected must have told me to get my ass into that auditorium because I doubt "poetry reading" would have been high on my self proscribed to do list. So there I was in my ill fitting boots and cheap breeches in the front row losing myself in a world of the New Hampshire wilderness feeling vaguely homesick for Western Mass when she read this:
Credo - Maxine Kumin
I believe in magic. I believe in the rights
of animals to leap out of our skins
as recorded in the Kiowa legend:
Directly there was a bear where the boy had been
as I believe in the resurrected wake-robin,
first wet knob of trillium to knock
in April at the underside of earth's door
in central New Hampshire where bears are
though still denned up at that early greening.
I believe in living on grateful terms
with the earth, with the black crumbles
of ancient manure that sift through my fingers
when I topdress the garden for winter. I believe
in the wet strings of earthworms aroused out of season
and in the bear, asleep now in the rock cave
where my outermost pasture abuts the forest.
I cede him a swale of chokecherries in August.
I give the sow and her cub as much yardage
as they desire when our paths intersect
as does my horse shifting under me
respectful but not cowed by our encounter.
I believe in the gift of the horse, which is magic,
their deep fear-snorts in play when the wind comes up,
the ballet of nip and jostle, plunge and crow hop.
I trust them to run from me, necks arched in a full
swan's S, tails cocked up over their backs
like plumes on a Cavalier's hat. I trust them
to gallop back, skid to a stop, their nostrils
level with my mouth, asking for my human breath
that they may test its intent, taste the smell of it.
I believe in myself as their sanctuary
and the earth with its summer plumes of carrots,
its clamber peas, beans, masses of tendrils
as mine. I believe in the acrobatics of boy
into bear, the grace of animals
in my keeping, the thrust to go on.
of animals to leap out of our skins
as recorded in the Kiowa legend:
Directly there was a bear where the boy had been
as I believe in the resurrected wake-robin,
first wet knob of trillium to knock
in April at the underside of earth's door
in central New Hampshire where bears are
though still denned up at that early greening.
I believe in living on grateful terms
with the earth, with the black crumbles
of ancient manure that sift through my fingers
when I topdress the garden for winter. I believe
in the wet strings of earthworms aroused out of season
and in the bear, asleep now in the rock cave
where my outermost pasture abuts the forest.
I cede him a swale of chokecherries in August.
I give the sow and her cub as much yardage
as they desire when our paths intersect
as does my horse shifting under me
respectful but not cowed by our encounter.
I believe in the gift of the horse, which is magic,
their deep fear-snorts in play when the wind comes up,
the ballet of nip and jostle, plunge and crow hop.
I trust them to run from me, necks arched in a full
swan's S, tails cocked up over their backs
like plumes on a Cavalier's hat. I trust them
to gallop back, skid to a stop, their nostrils
level with my mouth, asking for my human breath
that they may test its intent, taste the smell of it.
I believe in myself as their sanctuary
and the earth with its summer plumes of carrots,
its clamber peas, beans, masses of tendrils
as mine. I believe in the acrobatics of boy
into bear, the grace of animals
in my keeping, the thrust to go on.
Then she said she'd spare us any more horse poems and I shouted "NO!" and she looked me up and down with a conspiratorial appraisal and said "I see we have someone in the front row ready to ride!"
Maxine Kumin passed away earlier this year. I keep a few books of her poetry around the house. But this one (without too much analysis) shows my heart to the world. It's as if she reached into my soul and said, I'm going to explain how you feel about horses (and nature) in a REALLY beautiful concise way, that's going to make you cry? 'K bye! And by the way, you could never hope to articulate anything like this EVER.
And she did. And it is beautiful.
Wednesday, December 3, 2014
Liftoff!
We struggle with the canter. Cassel has the tendency to get a bit strung out and not really work from behind. He holds on his left side and likes to canter around with his head tilted, just a bit to the right when we are on the left lead.
I can fix this at the trot. I can wrap him around my inside leg and softly wiggle my inside rein, sit up, shoulders back and get him to release that inside rein and push my left hand forward at the right time and his nose stays in the same place. I feel his inside hind leg step under his body and voila! Lift off.
When dressage goes right, it feels like the instant your airplane takes off. Your horse's hind end engages and the front end lightens and all the weight shifts back like the first second an airplane's wheels leave the tarmac. From that position, anything is possible, because you are truly riding the horse back to front. Unfortunately for an amateur like me, with a horse that doesn't get a lot of "pro-rides" it's a hard feeling to maintain for an extended period of time. But I've got a map to that place in the trot and the walk. I know where it is what what it feels like and I have a toolkit to get me there.
When I was in my 20's I burned out on dressage. I could never get a horse in anything resembling a frame without an instructor guiding me through it inch by inch. I never had the "liftoff" feeling. Then I got horribly overhorsed and I stopped riding for 12 years. (During said 12 years I produced 2 fabulous children and got married to a nifty guy, so I was kinda busy).
When I started again two things happened. One of the weird things about women in my family is that we get thinner in our 40's. So, I was about 20 or 30 pounds lighter than I was in my 20's. I don't know if it was some freaky effect of childbirth or what, but my set point weight is around 155, which is a great weight for a solid 5'6" woman.
The other thing was, I discovered yoga. So my balance, core strength and body awareness was just at another level than it was back then.
When I started riding again, I could put a horse in a frame. Nobody had to tell me how to do it. I just could. It wasn't a deep, advanced frame, but I could get most horses to flex in their poll and engage a bit from behind. It was more of a hunter frame than a dressage frame, but it was a start.
My horse was a baby, so it would be a few years before I really tried it on him, but now he's six and ready for some more serious work. Now we have more and more strides of "Liftoff".
Today I trucked him to an indoor about 45 minutes away for a lesson with the always sanguine and creative Leslie Kornfeld. The trot work was easy and fun to do with the mirrors. By the end, I could see his inside hind coming under his body like it's supposed to, so it really carries the weight to get ready for more advanced movements.
To work on the canter we did a couple of things. First of all, I need to get my upper body WAY back during the canter. (Note to self, MORE YOGA --Need more core strength). It feels weird, but that's how you get Liftoff at the canter. Then after the downward transition, I immediately did a left to right leg yield to get him to let go on the left rein. Then we picked up the canter again. Voila, a stride here, stride there of "Liftoff" AT THE CANTER. He still isn't quite straight but we're getting there.
I don't think I'll ever focus on dressage exclusively. We love to jump. People keep asking me if we're going to event. Maybe. The thing is, I just want to train and ride and maybe do little shows here and there. Every summer we go up to GMHA and do the Region 1 American Connemara Pony Society breed show where we can jump, do dressage, equitation, trail class and whatever we want. But that's enough showing for me for the most part. I love hunter paces and the elementary derby cross I did in October was exhilarating. So, I don't think I'll ever pick a single discipline again. And with this horse, I don't think I'll have to.
I can fix this at the trot. I can wrap him around my inside leg and softly wiggle my inside rein, sit up, shoulders back and get him to release that inside rein and push my left hand forward at the right time and his nose stays in the same place. I feel his inside hind leg step under his body and voila! Lift off.
When dressage goes right, it feels like the instant your airplane takes off. Your horse's hind end engages and the front end lightens and all the weight shifts back like the first second an airplane's wheels leave the tarmac. From that position, anything is possible, because you are truly riding the horse back to front. Unfortunately for an amateur like me, with a horse that doesn't get a lot of "pro-rides" it's a hard feeling to maintain for an extended period of time. But I've got a map to that place in the trot and the walk. I know where it is what what it feels like and I have a toolkit to get me there.
When I was in my 20's I burned out on dressage. I could never get a horse in anything resembling a frame without an instructor guiding me through it inch by inch. I never had the "liftoff" feeling. Then I got horribly overhorsed and I stopped riding for 12 years. (During said 12 years I produced 2 fabulous children and got married to a nifty guy, so I was kinda busy).
When I started again two things happened. One of the weird things about women in my family is that we get thinner in our 40's. So, I was about 20 or 30 pounds lighter than I was in my 20's. I don't know if it was some freaky effect of childbirth or what, but my set point weight is around 155, which is a great weight for a solid 5'6" woman.
The other thing was, I discovered yoga. So my balance, core strength and body awareness was just at another level than it was back then.
When I started riding again, I could put a horse in a frame. Nobody had to tell me how to do it. I just could. It wasn't a deep, advanced frame, but I could get most horses to flex in their poll and engage a bit from behind. It was more of a hunter frame than a dressage frame, but it was a start.
My horse was a baby, so it would be a few years before I really tried it on him, but now he's six and ready for some more serious work. Now we have more and more strides of "Liftoff".
Today I trucked him to an indoor about 45 minutes away for a lesson with the always sanguine and creative Leslie Kornfeld. The trot work was easy and fun to do with the mirrors. By the end, I could see his inside hind coming under his body like it's supposed to, so it really carries the weight to get ready for more advanced movements.
To work on the canter we did a couple of things. First of all, I need to get my upper body WAY back during the canter. (Note to self, MORE YOGA --Need more core strength). It feels weird, but that's how you get Liftoff at the canter. Then after the downward transition, I immediately did a left to right leg yield to get him to let go on the left rein. Then we picked up the canter again. Voila, a stride here, stride there of "Liftoff" AT THE CANTER. He still isn't quite straight but we're getting there.
I don't think I'll ever focus on dressage exclusively. We love to jump. People keep asking me if we're going to event. Maybe. The thing is, I just want to train and ride and maybe do little shows here and there. Every summer we go up to GMHA and do the Region 1 American Connemara Pony Society breed show where we can jump, do dressage, equitation, trail class and whatever we want. But that's enough showing for me for the most part. I love hunter paces and the elementary derby cross I did in October was exhilarating. So, I don't think I'll ever pick a single discipline again. And with this horse, I don't think I'll have to.
Thursday, November 20, 2014
Beaches, Man
Every rider has a fantasy about riding on the beach. It sometimes involves a white horse, no saddle, endless stretches of pristine sand and galloping. Lots of galloping. It does not involve getting up at six AM hooking up a horse trailer, checking hay bags, finding the right parking lot, dealing with freezing wind and wondering if the bath house is open in November because you really have to pee and you have a horse with you and you're in public and there are strangers around, but you're sort of in the middle of nowhere.
I managed to knock Taking the Horse to the Beach off of my bucket list last weekend. It is a logistical tapdance, but well worth it. Salisbury Beach on the North Shore is a state DCR beach and is free during the winter, unlike Cranes Beach which charges a minimum of $150 for a horse trailer permit. However Salisbury Beach has about 2000 yards of pristine beach followed by endless developments. So it feels a but cramped. Hundreds of little houses but right up against the beach.
The first time I do anything truly new with my horse, I find myself fraught with worry about the whole endeavor. I haven't done it so I can't contingency plan for what *might* go wrong in my head. (Why, YES, I AM insane, glad you asked!!) I usually don't sleep much the night before. Going to the beach was no exception.
We led the horses down to check out the water first. Cassel was really surprised by the waves and actually pulled the lead rope out of my hand the first time the surf hit his feet. He bolted a few feet and then he started to do this little mosey. "I'm free, and I don't know what to do with myself."
The most surprising part of the day was when we were riding down the shore, I gave him his head and he chose to go down to the water where his buddy (an experienced beach horse) was walking. Every time the surf hit his feet he would snort and dance, but he didn't do anything scary or dangerous. The tide was on its way in and when a big wave buried his feet up to his hocks he planted his feet and leaned into the horse next to him until the waves receded. After that he was done walking in the water.
The sand was really deep and soft. So there was no galloping along the beach. We were not leaving the beach with a suspensory injury. Our hair didn't stream out behind us thanks to our ASTM helmets and our winter clothes didn't flow gracefully in the breeze.
But it was a beach. And there were horses. And I was there.
Wednesday, November 12, 2014
Gabby Giffords Lesson Day
Here's the videos of the gymanstics Three bounces and a one stride to an oxer. Each element was added one at a time. Every time an element was added, he ducked out the first time. Even though I was kind of expecting it. Great riding there!!
Turn the sound off on this second one. You'll thank me later. You're welcome!
Tuesday, November 11, 2014
Did I tell you about the time my truck wouldn't start? Or the other time my truck wouldn't start?
 |
| The original beautiful '89 Kingston |
My dad and I shared a Chevy diesel 2500 from 1998. We bought off a guy out in Central Mass who had owned it for about five years. During that time he had Never Cleaned It. And he smoked.
We scraped about six inches of grime and what looked like used toilet paper out of the cab and eventually after we bought stock in the scented Christmas Tree Company the cigarette smell dissipated. We ended up putting new brakes (front and back) and a bunch of other stuff I don't remember.
But it JUST kept breaking down on me. Once on my street in Somerville. I had it parked the wrong way on my street so I could move cars quickly around in my driveway so I could back it into my driveway, in front of the garage, JUST SO. My Honda needed to be PARKED in the garage for this configuration to work. Honda moved and... It would not start. The Somerville Police do NOT take kindly to vehicles parking the WRONG WAY on a two way street. Somehow, it's akin to dealing crack at the elementary school. That time it turned out to be the starter.
Once when I was pulling the (thankfully horseless) trailer from Western MA to the 'burbs where the horse was the alternator gauge that tells your your battery is charging correctly started listing to the left... And listing to the left. I am constantly checking my dash and I spotted it right away and pulled into a gas station in Gill and called US Rider (and my Dad. Well it's HIS truck too, dammit!) That time it was a rotten cable as well. US Rider managed to find some guys working at a body shop in Gill on a Sunday who came out in like two minutes and they got me up and running again. Unfortunately they only fixed the cable to the alternator. We didn't realize the rest of them might be rotting as well.
A few months later I had it parked illegally when I was picking up furniture in Cambridge... it would not start. The poor furniture guys (who had instructed me to park there) were completely freaking out. The doorman from the Fancy Condo who's driveway we were NOT actually blocking, but we were definitely harshing their aesthetic mellow and bringing down their property values was threatening to have the truck impounded by "HIS" tow company. This time, US Rider sent some idiot with a Honda to try to jumpstart it instead of a tow truck, so we had to wait twice. Really, they sent a guy in a Honda Civic to jumpstart a Chevy 3/4 ton truck. I told them it wasn't the batteries. Those were relatively new and high quality. It turned out it the battery CABLES had rotted through and weren't connecting properly.
These things were annoying, but they weren't dangerous. Until the last time I drove it.
The last and final time I drove it, the truck accelerated on me and I was done. I have not driven it since. I was on my wait to pick up Cassel to take him to Great Brook and chatting to my mom on my cell when the engine revved and the truck lurched and I slammed on the brake and it fought me, as if it WANTED to hit the bumper of the Kia in front of us. I pulled it over and called US Rider. We took it to Mirak Chevrolet. After it had sat for the requisite week, they told us it was the diesel injectors. Now, I'm not a diesel mechanic, but I'm told by people much more car savvy than myself that the diesel injectors going bad would NOT cause the truck to accelerate like that. Ever. By the time it got to Mirak it wasn't running at all, so who knows how they diagnose these things, but I know for a fact the hotshot Chevy diesel mechanic was dead wrong.
However, there is a part called a PMD controller which has gone bad on almost every truck that Chevy made in 1998. They had a tendency to overheat due to their inexplicable placement in the hottest part of the engine. THAT would (and did) make the truck accelerate. So, instead of junking the truck or paying Mirak $5000 for a solution that would not have fixed the problem, we had the truck towed to my driveway in Melrose. My dad replaced and relocated the PMD controller and a few gaskets and it has run like a dream ever since.
I still won't drive it. (Nor will I get my Hyundai Santa Fe serviced at Mirak, the closest and most convenient Hyundai dealer to me).
Given what a flakey vehicle I was driving, some of my thudding terror over moving my horse may have been somewhat justified. So I decided that I was going to change things around. Even if the truck had been an awesome vehicle that trusted and loved driving, it was still hard to coordinate. The truck lived in Shelburne Falls, the trailer lived with my horse in Carlisle. Every trip needed to be planned a couple weeks in advance. My folks were constantly going back and forth between Western and Eastern MA, so it wasn't too much of a stretch, but it wasn't easy on anyone.
So I had to make a change and shake things up. But that is fodder for a subsequent post.
Thursday, November 6, 2014
Don't you know how to ride? Why are you taking lessons?
Somebody on the Equinesite Bulletin Board was wondering what the value was in becoming a Massachusetts licensed instructor. The exam is notoriously simple and you need a licensed instructor to sign off that you have done a certain number of "apprentice hours" that nobody from the state ever verifies. Nor is the instructor who signs off on your "apprenticeship" responsible for you in any way once you become an instructor. You know those signs you see in EVERY barn in Massachusetts?
You can order these for any state. They hang prominently in every barn I've ever walked into. Passing that test makes you a majikal "Equine Professional."
When I was 20 and life was so simple, I did a British Horse Society course in England for my Junior Semester Abroad. Here I am during that time with the fancy horse I took care of. His name was Colby.
I actually never rode Colby, but I did get to ride a lot of other nice horses and jump some big jumps. But in spite of the years long British Horse Society certification process for riding instructors, I never had a decent riding lesson during the three months I was there. I took two lessons a day with probably about six or seven different "I" certified instructors and not a single one of them knew how to communicate any of the thousand complex nuances you need to know to go from being an "OK" rider to a "Good" or even a "Great" rider. These women could Not Teach At All. They babysat. Or they tried to actually tell you what to do, were so autocratic in their style that questions were beneath them. If you did not understand, you were a worm and beneath their contempt. It was YOUR fault because YOU were stupid and ignorant. It was not because they were vague and incoherent. I was 20 years old and being a great rider was my dearest ambition. I was finally in a position to "catch up" and make up for the fact that I stopped riding in high school and my lessons were being with the empathy and tact of Edwina and Patsy.
Typical Group Lesson: Form a "Ride" (All horses 1 horse length apart. A mini parade in the Indoor Arena!!) Ride in figures around half the arena. Trot, walk, change direction. Spiral in, leg yield out (which I had NO idea how to do. The answer? "Use your legs!") Horse in front, canter to the end of the ride. Repeat. Absolutely no individual feedback from the instructor.
Or, they would demand you do things you didn't know how to do and SCREAM at you when you couldn't do them. (Because you weren't "using your legs.")
Halfway through the program the house burned down.
I'd had enough by then. They put us in 'port-o-cabins' -- usually meant to be offices on construction sites. Flimsy portable structures that bent in the breeze with even flimsier Ikea furniture that broke when you sat on it. I went into London for the weekend to stay with a friend in theater program and never went back.
I know and knew then what good teaching looks and feels like and this wasn't it. Great teachers can keep breaking things down and simplifying them until you get them. I did need to "use my legs" back then. I remember squeezing the horse so hard, it's a wonder he didn't keel over. I just didn't know WTF she was talking about. I was using my legs! It was causing me and probably the horse a good deal of pain and was yielding literally no result. What I didn't know was where or when to use them, or how to time where and when I used them with how I used my hands. And they were utterly useless at explaining the nuance of these things.
Great teachers don't lose their shit at you for asking questions. I know some very respected clinicians don't like client backtalk. When they ask you to do something very specific, they don't want to hear "Well I do it this way because...." I can see it both ways there. A clinic is usually a one time shot. A different perspective on what you're doing. Just TRY it their way and quit your yapping. That's what you're paying the (usually) big bucks for. Whereas you really should be able to ask your regular teacher all the questions you want when you don't get WTF she's saying.
When I went to England I had always jumped like an eq rider. Which is a bit more up the neck than the Brits do. NOW I know what they were trying to teach me and why, but at the time we were like "Why are you putting me in this weird chair seat behind the motion?" (Because that's what it felt like). It made no sense because we had no context for it. It's a much more defensive seat than what I was used to. But I didn't even know that. There was no Denny Emerson's Facebook page to explain about correct leg position back in 1990. I'd never seen a video of me jumping up my horse's neck. I had no freaking idea I had been doing it "wrong" or that it might be unsafe when I got to bigger jumps. This is something I struggle with to this day.
When I asked the instructor to explain the difference between what I was doing and what she wanted me to do she literally lost her shit at my impertinence. She stamped her feet and her slab of a ruddy face turned beet red. The American style was irrelevant. Nothing I knew mattered. Now get in the damned chair seat whether you understand the mechanics of it or not.
I don't put up with that crap now. I took a lesson with a Big Name Dressage Trainer through NEDA's flextime program and I learned something. But she was mean. She was sarcastic and rudeand she's the only trainer I've worked with that didn't love Cassel on the spot. I don't expect people to love me. But he is absolutely the sweetest, most trying horse in the world. Everybody loves him. I left the lesson fairly elated because I had learned something. I felt something that I hadn't felt before. But as time went on, I got more and more annoyed. I'm too old to put up with that crap. I have no great competition ambitions. I still want to be a great rider someday. But there are so many great dressage instructors like Leslie Kornfeld that can break down what you're doing with your body inch by inch, almost millimeter by millimeter. And if you listen and keep trying you can affect such positive changes without feeling like a sack o' crap at the end of the day. And that folks is what we should be paying for.
When I was 20 and life was so simple, I did a British Horse Society course in England for my Junior Semester Abroad. Here I am during that time with the fancy horse I took care of. His name was Colby.
I actually never rode Colby, but I did get to ride a lot of other nice horses and jump some big jumps. But in spite of the years long British Horse Society certification process for riding instructors, I never had a decent riding lesson during the three months I was there. I took two lessons a day with probably about six or seven different "I" certified instructors and not a single one of them knew how to communicate any of the thousand complex nuances you need to know to go from being an "OK" rider to a "Good" or even a "Great" rider. These women could Not Teach At All. They babysat. Or they tried to actually tell you what to do, were so autocratic in their style that questions were beneath them. If you did not understand, you were a worm and beneath their contempt. It was YOUR fault because YOU were stupid and ignorant. It was not because they were vague and incoherent. I was 20 years old and being a great rider was my dearest ambition. I was finally in a position to "catch up" and make up for the fact that I stopped riding in high school and my lessons were being with the empathy and tact of Edwina and Patsy.
Typical Group Lesson: Form a "Ride" (All horses 1 horse length apart. A mini parade in the Indoor Arena!!) Ride in figures around half the arena. Trot, walk, change direction. Spiral in, leg yield out (which I had NO idea how to do. The answer? "Use your legs!") Horse in front, canter to the end of the ride. Repeat. Absolutely no individual feedback from the instructor.
Or, they would demand you do things you didn't know how to do and SCREAM at you when you couldn't do them. (Because you weren't "using your legs.")
Halfway through the program the house burned down.
I'd had enough by then. They put us in 'port-o-cabins' -- usually meant to be offices on construction sites. Flimsy portable structures that bent in the breeze with even flimsier Ikea furniture that broke when you sat on it. I went into London for the weekend to stay with a friend in theater program and never went back.
I know and knew then what good teaching looks and feels like and this wasn't it. Great teachers can keep breaking things down and simplifying them until you get them. I did need to "use my legs" back then. I remember squeezing the horse so hard, it's a wonder he didn't keel over. I just didn't know WTF she was talking about. I was using my legs! It was causing me and probably the horse a good deal of pain and was yielding literally no result. What I didn't know was where or when to use them, or how to time where and when I used them with how I used my hands. And they were utterly useless at explaining the nuance of these things.
Great teachers don't lose their shit at you for asking questions. I know some very respected clinicians don't like client backtalk. When they ask you to do something very specific, they don't want to hear "Well I do it this way because...." I can see it both ways there. A clinic is usually a one time shot. A different perspective on what you're doing. Just TRY it their way and quit your yapping. That's what you're paying the (usually) big bucks for. Whereas you really should be able to ask your regular teacher all the questions you want when you don't get WTF she's saying.
When I went to England I had always jumped like an eq rider. Which is a bit more up the neck than the Brits do. NOW I know what they were trying to teach me and why, but at the time we were like "Why are you putting me in this weird chair seat behind the motion?" (Because that's what it felt like). It made no sense because we had no context for it. It's a much more defensive seat than what I was used to. But I didn't even know that. There was no Denny Emerson's Facebook page to explain about correct leg position back in 1990. I'd never seen a video of me jumping up my horse's neck. I had no freaking idea I had been doing it "wrong" or that it might be unsafe when I got to bigger jumps. This is something I struggle with to this day.
When I asked the instructor to explain the difference between what I was doing and what she wanted me to do she literally lost her shit at my impertinence. She stamped her feet and her slab of a ruddy face turned beet red. The American style was irrelevant. Nothing I knew mattered. Now get in the damned chair seat whether you understand the mechanics of it or not.
I don't put up with that crap now. I took a lesson with a Big Name Dressage Trainer through NEDA's flextime program and I learned something. But she was mean. She was sarcastic and rudeand she's the only trainer I've worked with that didn't love Cassel on the spot. I don't expect people to love me. But he is absolutely the sweetest, most trying horse in the world. Everybody loves him. I left the lesson fairly elated because I had learned something. I felt something that I hadn't felt before. But as time went on, I got more and more annoyed. I'm too old to put up with that crap. I have no great competition ambitions. I still want to be a great rider someday. But there are so many great dressage instructors like Leslie Kornfeld that can break down what you're doing with your body inch by inch, almost millimeter by millimeter. And if you listen and keep trying you can affect such positive changes without feeling like a sack o' crap at the end of the day. And that folks is what we should be paying for.
Subscribe to:
Posts (Atom)